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Dear Language Enthusiast,

Welcome to the Latin Monthly, the Internet newsletter from Transparent Language. This is the final issue in our three-part series looking back on some of the most notable people, events, and accomplishments of ancient Rome. This month takes a look at the art of satire in ancient Rome, as expounded by its most famous practitioner, Horace (Quintus Horatius Flaccus, 65-8 BC).

The satirical writings of ancient Rome contributed one of the key ingredients of the modern mindset-- a witty irreverence calculated to produce reform while satisfying the desire to laugh at other people from a position of imagined superiority. It is but a single step from Horace to Saturday Night Live. (Whether that step is up or down is a matter of personal preference.)

The satirical texts are less significant than the revolutionary, and distinctly modern, frame of mind that they express. Satire is one of the deepest, and most enduring, cultural contributions of ancient Rome. The excerpt used below is from Horace's Satires, Book I, Satire IV.

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latine:

"Laedere gaudes," inquit, "et hoc studio pravus facis."

Unde petitum hoc in me iacis? Est auctor quis denique eorum vixi cum quibus? Absentem qui rodit amicum, qui non defendit alio culpante, solutos qui captat risus hominum famamque dicacis, fingere qui non visa potest, commissa tacere qui nequit: hic niger est; hunc tu, Romane, caveto.

Ego si risi quod ineptus pastillos Rufillus olet, Gargonius hircum, lividus et mordax videor tibi?

Mentio si quae de Capitolini furtis iniecta Petilli te coram fuerit, defendas ut tuus est mos:

"Me Capitolinus convictore usus amicoque a puero est, causaque mea permulta rogatus fecit, et incolumis laetor quod vivit in urbe, sed tamen admiror quo pacto iudicium illud fugerit."

Hic nigrae sucus lolliginis, haec est aerugo mera. Quod vitium procul afore chartis atque animo prius, ut si quid promittere de me possum aliud vere, promitto.

Liberius si dixero quid, si forte iocosius, hoc mihi iuris cum venia dabis. Insuevit pater optimus hoc me, ut fugerem exemplis vitiorum quaeque notando.
In English:

"You like to hurt people’s feelings," someone says, "and you do it with malice aforethought."

Where did you find this accusation to throw at me? Did it come, in point of fact, from any of the people that I’ve lived with? The one who backbites a friend who isn’t there, who doesn’t stand up for him when he’s criticized by someone else; the man who strives for unbridled laughter and a reputation for wit; who can make up things that were never seen, and is incapable of keeping a secret: this is the one whose heart is black, this is the man you should beware, O Roman.

If I snickered, because silly Rufillus smells like breath mints, and Gargonius like a goat-- do I seem spiteful and snappish to you?

If a reference were made in your presence to the thefts of Petillius Capitolinus, you would defend him in your usual manner:

"Capitolinus is a close acquaintance of mine, and a friend since childhood; he’s done a great many things on my behalf, whenever asked, and I’m happy to see that he’s still living here, undisturbed, in Rome-- and yet-- I can’t for the life of me understand how he managed to get off without a guilty verdict!"

Here is the ink of the black cuttlefish; this is pure spite. That such a defect may be distant from my writings and, first and foremost, from my heart and mind-- that is my promise, if I can truly promise anything at all.

If I have spoken too freely, or perhaps too much in jest, you will grant me this right in a spirit of forgiveness. For my excellent father instilled this habit in me, so that I would avoid vicious faults by heeding bad examples.

[Trans. by RWC]
 

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